One of my favorite hobbies is going to the record store. Especially after a stressful week, it was exactly what I needed. And the thing is there was absolutely nothing I had in my mind in particular I was looking for on my trip. Of course I have my list of records I’m on the hunt for to add to my collection, but I went on this trip with no expectations other than to browse and have fun.
And of course not overpay for a record. Like many, I appreciate a good deal when it comes to buying anything. Who doesn’t want a good deal? Whether I’m checking out deals online or in a record store, if I can snag it for a good price, I’m going to be even more thrilled with my buy. Lately this feels like it’s become even more important in the hobby of collecting records. The prices of records have been absolutely ballooning, with no signs of slowing down. Record sales have been steadily climbing for a decade, but it got even bigger in the midst of this pandemic we’re in, as people have embraced new hobbies, one of them being collecting records. The pandemic has also played a major factor in another aspect of vinyl: the pressing of them, or rather the shortage due to increased demand and the mess COVID-19 has created in shipping and manufacturing. Highly sought after records and limited variants can be hard to find nowadays in some cases. It doesn’t help that a lot of people give into the FOMO or worse, paying outrageous reseller prices on Discogs and EBay.
All of this has become especially egregious in hip hop. Out of all the genres, it attracts the most hype beasts. It’s not surprising when a lot of music in it glorifies materialism and having the best/most stuff. Hip hop is also a major part of popular culture and fashion and something that is constant through human history is obsession with popularity. It doesn’t effect my enjoyment of the genre in the least, but it’s certainly affected my record collecting habits. I refuse to pay $40 for the new J. Cole album, even though The Off-Season is a great record. Cole raps his ass off on it and the features are all impressive. But I’ll gladly wait on it to drop in price.
So I made my way to the record store and there was a lot of people, which surprised me, but in a good way. It’s a great sight to see so many people getting into this fun hobby. Anyone who loves music I highly encourage getting into collecting records (CDs or cassettes if that’s more your speed too). Of course with more people buying records it means I have a harder time finding the ones I want. But that’s not a big deal. I was especially happy to see though that the store had expanded, so I had even more records to browse. I knew I was about to spend a couple hours digging (I did).
The first section I head for is the country and bluegrass section: one because I love the genres of course and two because there weren’t any people in that section. I’m not surprised it’s empty, as so many people unnecessarily thumb their noses down upon country music, especially in the city I’ve come to realize. Oh sure I’ve found some people who appreciate it. But most in the city either don’t care for it or they just like the stuff on the radio. But it also means I should find some great records. So I began to dig.
Right away I notice a lot of the records are brand new records, which means high prices. And oh sure there’s some that are on my list I want to get, but the price is too damn high. For example, I come across Miranda Lambert’s The Marfa Tapes. I really enjoy this album, as it’s what I would describe as a fun campfire record. The stripped down nature and the “flaws” of the recordings of the songs make it an enjoyable listen. However, I don’t like it enough to pay $32 for it. I have to really love an album to pay that price for a record. I don’t really love this album, so I will wait until I can grab it at a better price. And hey I know this has become the standard price, but I don’t have to like it.
The rest of the albums in the section are the higher priced used albums they have, I’m talking $20 or more. I normally don’t like to pay that for used records, unless it’s something I absolutely love and it’s in excellent shape. There a few records priced in the range I usually like to buy used ones in. One that catches my eye is Willie Nelson’s Honeysuckle Rose soundtrack. I’m familiar with multiple songs on the album (“On The Road Again,” “Whiskey River”, etc.), but I’ve never listened to the whole album. Usually I like to listen to the whole album, but in this case it was more of this record isn’t amongst the Willie Nelson albums I’m looking for. I put it back and kept it in the back of my head as a possible maybe to return to later as I continued to look.
I finished my way through the section of country and bluegrass records sitting on the tables and I was surprised by the lack of variety and so many new records populating the section. I walked over to the jazz section next to it, poking around, only to find it was very much the same case. This made no sense to me, until I figured out I wasn’t looking hard enough. I noticed below the tables of country and bluegrass records I just pilfered through to see several crates and boxes marked “country overflow.” I start to dig in this group of records and this was more of what I was looking for. I spend twice as much time digging through these, despite having to bend down on the ground and block aisles than I did with the top shelf selections. Sure, it’s awkward having to move out of the way for people trying to make their way around. But this is a record store and anybody who has ever dug for records knows record stores aren’t exactly Ikea when it comes to organization and efficient aisle ways. It’s the just the way it is.
This is the part where the digging pays off. Remember earlier I said there were certain Willie Nelson records I was looking for? Well I find the first of the day that I hold onto without hesitation: Willie’s Always On My Mind. The Chips Moman produced album of course is highlighted by Willie’s take on the title track. The album mostly consists of covers, but I’ve always thoroughly enjoyed Willie’s interpretations of others’ songs because many times he can equal or surpass them. My favorite of this album though is him covering one of his own songs from a previous album, “Permanently Lonely.” It’s a pointed, subtle as a brick to the face breakup song that perfectly encapsulates the fallout anger of a relationship. It’s a song that to me shows why Willie is one of the all time great singer-songwriters.
My next two finds are unconventional and surprising; the latter because I have never listened to these albums before. It’s not something I do a lot when record picking, but when I’m feeling adventurous I like to buy records of albums I’ve never heard. When you have a big selection at your disposal like this one, it’s fun to take risks and buy records that are sort of a mystery. The first is a Bob Wills fiddle instrumental compilation album released in the late 80s. Of course I’ve heard many of Wills’ songs, but an all instrumental album with many songs I’ve never heard from him really caught my eye. The second is the Osborne Brothers’ Cuttin’ Grass Osborne Brothers Style. Now bluegrass is a genre I started dipping my toes into more after Sturgill Simpson released his Cuttin’ Grass albums. But with me always having a wandering ear, I kind of sidetracked and lost sight of my exploration into the genre. But with so many bluegrass records at my selection in this mess of records in front of me, I thought picking one to take home with me would be a good way to kick start my exploration of it once again. My final pickup in this section is yet another Chips Moman-produced Willie album: City of New Orleans. While it’s not quite as good of a fun covers album as Always On My Mind, it’s still a really enjoyable album that feels like a successful follow-up on the former’s formula. And well…can you really go wrong with Willie?
After having quite a fill of the country and bluegrass section, I set off next for the rock and pop sections. Like when I first went into the country section, I start off by looking through the top shelf records, where just like before I just find a bunch of records that are too highly priced and/or not what I’m looking for. I repeat this process with the hip hop section. This section is without a doubt the most picked over I’ve looked through. It’s also the most overpriced. No surprise, as I mentioned before when discussing hip hop. But I was more inclined to buy a new hip hop record versus any other genre if it was something hard to find or out of stock online. For example, Griselda records were something I was definitely inclined to buy. Griselda of course refers to the trio of Benny the Butcher, Conway the Machine and Westside Gunn (and there are other great artists on the label too, but these three are the faces). But after much searching, I couldn’t find anything. The same search for Freddie Gibbs records turned out the same, although for a hot minute I thought I found something. It was a single of his song “Playa” with various remixes on the record. I had never heard or seen this before, so for a second I thought I found something rare. And I was also surprised I didn’t know of this because I had spent a lot of time digging through Gibbs’ discography after he won me over immediately with Pinata and Freddie. The latter is an album I still regret not buying on vinyl when I had the chance, so it along with You Only Live 2wice remain on my wanted list. But a quick Discogs search showed this “Playa” record was quite common. Not to mention I reminded myself that I don’t and buy play singles very often and playing the same song over and over just doesn’t make for a good listening experience. So I put it back in hopes of finding something else to take it’s place.
Now I turn my attention back to the overflow, bottom sections in rock and pop. And man there’s a lot more to dig through! But at this point after being here for a couple hours, my patience for digging is running thinner. Plus, I’ve already landed four records from the country section and I didn’t want to spend a ton today. One album in particular though I’m looking for is Electric Light Orchestra’s Out of the Blue. For fellow seasoned collectors, yes I know this album is incredibly common and it’s ridiculous I don’t have it. Chalk it up to bad luck I guess! But I’ve never come across it before. And today was no different. I do however pick up two records that I give strong consideration to: The Doobie Brothers’ first greatest hits album (you know the one with the jukebox on the front) and the Carpenters’ Christmas album. I ultimately though decide against both of them after 10 minutes of wavering. I decide against the Doobie record because I realize I already have their second greatest hits album and I don’t even listen to it a bunch, so why get the one that is my less favorite of the two? And I decide against the Carpenters’ record because despite my love of the duo, it’s just really hard to buy a Christmas album when it’s 90 degrees outside. I also waffle on my thoughts on collecting Christmas albums. On one hand, they’re great to play around the holidays. Nothing beats the cozy feeling of sitting on the couch listening to a record with the Christmas tree glowing and snow pouring down outside. On the other hand, they sit on a shelf for 10.5 months the rest of the year. So it makes sense to be more picky and selective with them.
But it’s funny how one small moment of hesitation led to my final find of the day. While I’m walking around the store stalling and mulling over getting these records, a line forms at the front. After my mulling it’s still there. And it’s quite cramped up front near the register. I really don’t want to be close to people if I don’t have to, especially with the Delta variant in full swing. So to kill some time I look around more and find a section of newly arrived used albums. How did I not see this before? Might as well look through them, you never know…less than 10 records into my flipping through them, I hit the jackpot! I find staring back at me a record that’s been on my list for quite some time. It’s one of my all time favorite albums: Willie Nelson’s Stardust! The cover is in perfect condition and it’s even a promotional copy, which means it’s not been played much either. The record is scratch free. I grabbed it without hesitation.
The line disappeared and happy with what I have in hand, I paid for my records and I set off home with my haul for the day.
Don’t worry I’ll get to the music on these records next time…